Kraft Tex Envelope Purse

Ah, isn’t a thrill to get your hands on a new art product? Playing around to figure out its best qualities, how to use it with other products and with your images and designs … doesn’t that get your creative juices flowing?

I got a roll of natural color kraft•tex, from C&T Publishing (black and white coming soon). C&T describes kraft•tex as a “tough, touchable new paper that combines the best of leather and fabric.”  You can sew, and even wash it!

I’m a bit mail-art obsessed recently, so I decided to make a clutch purse in an envelope design. Rather than print directly onto the kraft•tex I wanted to try it with Transfer Artist Paper (TAP). Transfers usually work best on white or very light backgrounds, and I thought I’d check out how well the natural tan color of the kraft•tex would take a transfer.

I spent a blissful day last weekend photographing orchids at the Pacific Orchid Exposition, and got a striking closeup of a paphiopedelum, which I altered for a painterly effect. I thought the rich colors would blend nicely with the kraft•tex. This is the image:

Paphiopedilum orchid design

I re-sized it to fit onto the front of the purse and flipped horizontally so it would transfer with the orientation I wanted – this matters most for text, of course. To fill the rest of the sheet of TAP I designed a kaleidoscope from the original image and tiled it to transfer to the inside of the purse. This is the single tile:

Paphiopedilum orchid kaleidoscope

Next, what about the back? The four flaps of the envelope overlap, so I didn’t want to use a single image. I took a portion of the original image, resized it smaller, and tiled it onto a full sheet.

Paphiopedilum orchid sheetFinally it was time to transfer! TAP works best at the highest iron setting that the surface you’re ironing onto can withstand, so I set it on linen. Taking the front piece first, I cut out closely around the image, placed it face down onto the kraft•tex, covered it with parchment paper to protect the iron, and slowly circled around the entire piece with the iron.

Paphiopedilum envelope front

I was very happy with how it turned out, so moved on to transfer the inside piece.

Paphiopedilum envelope inside

Small details and lines in an image never show up as well in a transfer as on a direct print, but I have come to accept that as the tradeoff for the ease of using a transfer rather than treating a surface for a good direct print.

Finally, for the back, I cut pieces of the TAP sheet roughly to size and transferred them one at a time to each flap.

Paphiopedilum envelope back

Drum roll please .. here’s the front of my kraft•tex Paphiopedilum Orchid Envelope Purse!

Paphiopedilum envelope purse

And the back:

Paphiopedilum envelope back

I’m plotting what kind of closure to use. Probably something involving fabric. Stay tuned!

Oh – and I’ll be demonstrating TAP and Lutradur (and, it turns out they want me to also demo kraft•tex) on Saturday March 15th at Flax Art & Design in San Francisco. Free! Click here to read my blog post with all of the details.

Have you used a new art product lately? Please show and tell!